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2 edition of The Cypriot-French repertory of the manuscript Torino J.II.9 found in the catalog.

The Cypriot-French repertory of the manuscript Torino J.II.9

The Cypriot-French repertory of the manuscript Torino J.II.9

Report of the International Musicological Congress, Paphos 20-25 March, 1992 (Musicological studies & documents)

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Published by Hanssler-Verlag .
Written in English


The Physical Object
FormatUnknown Binding
Number of Pages545
ID Numbers
Open LibraryOL9101429M
ISBN 103775125019
ISBN 109783775125017

"The Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale, J. II. 9." Musica disciplina 11 (): The repertory of the Cypriot manuscript developed at the court of Cyprus as various court poets contributed poems that were borrowed and used in musical compositions. Biblioteca nazionale di Torino. Manuscript. Library 7th floor Fine Art Restrict Fine Art Restrict Ff M2.C Cypriot-French repertory, of the manuscript Torino, Biblioteca nazionale, Edited by Richard H. Hoppin. Biblioteca nazionale di Torino. Manuscript. Book 2: for organ / by.

O Scribd é o maior site social de leitura e publicação do mundo.   (68) The O antiphons are in The Cypriot-French repertory of the manuscript Torino, Biblioteca Nazionale, 9, ed. R. H. Hoppin, Corpus Mensurabilis Musicae, xxi (Rome, ), ii, nos; see R. H. Hoppin, `A fifteenth-century "Christmas oratorio"', Essays in music in honor of Archibald Thompson Davison by his colleagues (Cambridge, MA.

For information on the concept of the “manuscript repertory” (as opposed to mere manuscript contents), see the papers presented as part of Round Table 2, “Costituzione e conservazione dei repertorii polifonici nei secoli XIV e XV,” in Atti del XIV congresso della società internazionale di musicologia, Bologna, 27 agosto–1 settembre. A four-voice madrigal found in the Fourth Book of Arcadelt's madrigals titled Pace non trovo e non ho da far guerra, setting the Petrarchan sonnet by that name, has material in common with two other works. The madrigal, anonymous in Arcadelt's collection, is ascribed to Ivo, probably Ivo Barry, a French musician in the papal choir under Clement VII and Paul III.


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The Cypriot-French repertory of the manuscript Torino J.II.9 Download PDF EPUB FB2

THE CYPRIOT-FRENCH REPERTORY OF THE MANUSCRIPT TORINO, BIBLIOTECA NAZIONALE, J. 9 RICHARD H. HOPPIN Although thirty years have passed since Heinrich Besseler published his excellent description and index of the Cypriot manuscript now in Turin, Bibl.

Naz. 9 (Tu B),1 the contents of this extraordinarily rich source. 9 Church history Conference papers and proceedings History Congresses Congrès: Additional Physical Format: Online version: International Musicological Congress ( Paphos, Cyprus). Cypriot-French repertory of the manuscript Torino J.

Neuhausen-Stuttgart: American Institute of Musicology: Hänssler-Verlag, (OCoLC. Cypriot-French Repertory (15th c.) of the Manuscript Torino, Biblioteca Nazionale, 9, 4 vols. Corpus Mensurabilis Musicae Rome: American Institute of Musicology.

Hoppin, Richard H. Cypriot Plainchant of the Manuscript Torino, Biblioteca Nazionale J. 9, facsimile edition with commentary. Musicological Studies and Documents The Cypriot-French Repertory of the Manuscript Torino Report of the International Musicological Congress, Paphos, 20–25 Marchby Ludwig Finscher and Societa italiana di musicologia and Ursula Gunther and Associazione piemontese per la ricerca delle fonti musicali.

Rondeaux et Virelais I represents the first new edition of the pieces in TuB since Richard Hoppin's landmark edition of the entire Turin manuscript fifty years ago in The Cypriot-French Repertory of the Manuscript Torino, Biblioteca nazionale, 9 (4 vols., Corpus Mensurabilis Musicae, 21 [Rome: American Institute of Musicology, ]).

The Cypriot-French Repertory of the Manuscript Torino Report of the International Musicological Congress, Paphos March,Musicological Studies and Documents, American Institute of Musicology. edited by Ursula Günther and Ludwig Finscher, The Cypriot-French Repertory of the Manuscript Torino Report of the International Musicological Congress, Paphos March, by Philip Guston avg rating — 0 ratings.

Richard H. Hoppin, "The Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale, 9," Musica Disciplina XI (), pp. Musica Disciplina Hoppin. The Cypriot-French Repertory of the Manuscript Torino 9 (Neuhausen-Stuttgart, ).

3 There are thirty-five Mass pairs in Bologna Q15 and seven Mass pairs in Turin. On Mass-pair unification in Bologna Q15, Hamm states: ‘Eight of the pairs are unified by common head-motive in the two sections’ (‘The Reson Mass’, 6).

; and eadem, “The Bitextual Ballade from the Manuscript Torino 9 and Its Models,” in Ursula Günther and Ludwig Finscher, eds., The Cypriot-French Repertory of the Manuscript Torino 9, Musicological Studies and Documents 45 (n.p., ), pp.

–Cited by: 2. The Cypriot-French repertory of the manuscript Torino report of the International Musicological Congress, Paphos March, [] Neuhausen-Stuttgart: American Institute of Musicology: Hänssler-Verlag, The Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale, 4 vols.

Corpus Mensurabilis Musicae. Vol. Rome: American Institute of Musicology, Huot, Sylvia, From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry.

Ithaca: Cornell University Press, MSD 45 The Cypriot-French Repertory of the Manuscript Torino MS 9, Report of the International Musicological Congress, Paphos 20–25 March, Edited by Ursula Günther and Ludwig Finscher.

MSD 46 Dorit Tanay, Noting Music, Marking Culture: The Intellectual Context of. The Cypriot-French repertory of the manuscript Torino J. 9: report of the International Musicological Congress, Paphos March, by International Musicological Congress (Book).

Abstract The origins of codex Turin, Biblioteca Nazionale Universitaria 9 are contested territory. While there can be little dispute that the repertory, a monumental collection of plainchant, polyphonic Mass settings, motets, and songs, is linked to the (Bourbon-)Lusignan court of Cyprus, this articles argues the north Italian origins of the manuscript.

The key to solving the puzzle is. PDF | Taking the distinction between natural and artificial music as established in Eustache Deschamps’ Art de dictier for granted, it has been assumed | Find, read and cite all the research.

55 Described in A. Wathey, ‘European Politics and Musical Culture at the Court of Cyprus’, a paper delivered at a Congress on the Cypriot-French Repertory of the Manuscript Torino J. 9, Paphos, 20 March ; see also ‘The Marriage of Edward III’, p.

12, n. Cited by: 8. Ursula Giinther and Ludwig Finscher, eds., The Cypriot-French Repertory of the Manuscript Torino Report of the International Musicological Congress, Paphos March, (Neuhausen-Stuttgart: Hhnssler-Verlag, ). Published in The Cypriot-French Repertory of the Manuscript Torino 9, pp.

Reconstructs original structure of a 15th-century codex badly damaged in a library : Musicologist, Music Educator. Cypriot-French Repertory (15th c.) of the Manuscript Torino, Biblioteca Nazionale, 9, 4 vols. Corpus Mensurabilis Musicae [full citation needed]:: American Institute of Musicology.

Hoppin, Richard H. Cypriot Plainchant of the Manuscript Torino, Biblioteca Nazionale J. 9, facsimile edition with commentary. Musicological.

R. Hoppin: ‘The Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale, 9’, MD, xi (), 79– R. Hoppin: ‘A Fifteenth-Century “Christmas Oratorio”’, Essays on Music in Honor of Archibald Thompson Davison (Cambridge, MA, ), 41–9.• The Cypriot-French Repertory of the Manuscript Torino, Bbiblioteca Nazionale, J.

II. 9, Vol. XI (), pp. HORSLEY (I.), The Sixteenth-Century Variation and Baroque Counterpoint, Vol. XIV (), pp. HUCK (O.), The Music of the Angels in Fourteenth-and Early Fifteenth-century Music, Vol.

LIII (),ppThe Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale, III. Ballades. Andrew Hughes and Margaret Bent, eds., The Old Hall Manuscript, commentary. The issue of rubrucation comes up frequently in the history of the book and in manuscript studies, but, to my knowledge, no major study has focused.